Micheal Do is a curator, programmer and writer working across Australia, New Zealand and Asia. His curatorial focus lies in developing thematic and immersive exhibitions that extrapolate research and artistic practices into contemporary contexts. He is curator, contemporary art at the Sydney Opera House, Australia and curator of Projects at Auckland Art Fair, New Zealand. He is currently developing ‘Primavera 2022: Young Australian Artists’ for The Museum of Contemporary Art, Australia and ‘For Us Sinners’ for 4A Centre for Contemporary Asian Art.
His exhibition ‘Soft Core’, exploring soft and inflatable sculptures developed for Casula Powerhouse Arts Centre, Sydney, recently concluded its tour of twelve regional and rural galleries throughout New South Wales, Victoria and Queensland from 2016 – 2019. Micheal has curated ‘Not Niwe, Not Nieuw, Not Neu’ (2017) and ‘The Invisible Hand’ (2019) for 4A Centre for Contemporary Asian Art and among other exhibitions curated ‘5X5: The Artist and The Patron’ (2018), a survey of 5 artist/collector relationships for Penrith Regional Gallery & The Lewers Bequest and ‘A Proxy for a Thousand Eyes’ (2020) for Sydney Opera House.
He was the 2018 recipient of The Freedman Foundation’s Travelling Scholarship for Curators and the recipient Museums and Galleries NSW Artist and Curator Residency Grant in 2016. His writing appears in publications including 4A Papers; Art Collector Australia; Art Monthly, Australasia; Art Review Asia, Artist Profile Magazine, S+S Magazine, VAULT Magazine, and 10 Magazine, along with artists’ catalogues.
Credit: Kai Wasikowski.