Exhibition

Lee Kun-Yong: Equal Area

Lee Kun Yong, a Korean male-presenting figure with silver hair, a blue striped shirt and white paints squats barefoot on a long scroll of white paper, drawing with a stick of charcoal.

When

20 January 2018 -
25 February 2018

Location

4A Centre for Contemporary Asian Art

181-187 Hay St, Haymarket

Exhibition opening: Saturday 20 January, 4pm-6pm

View the roomsheet here.

Lee Kun-Yong with Australian artists Huseyin Sami, Daniel Von Sturmer and Emily Parsons-Lord.

Equal Area presents the work of Lee Kun-Yong, one of Korea’s most seminal conceptual artists, charting the development of his visual and theoretical methodology that has expanded possibilities for performance art since the 1970s. Lee is widely acclaimed for his innovative series of performances that examine the the connection between the logic of the mind and the gestures of the body. Throughout his career, Lee has investigated the connection between the human psyche and action through the act of performance and performance. His performances often test this relationship through the act of repetition, demonstrating how the construct of logic is subjective to its locale — slight shifts in each performance capture the body within present moments, leaving traces of an ‘event’.

In this unique presentation of photographic documentation of performances spanning his almost six-decade career, 4A Centre for Contemporary Asian Art brings Lee Kun-Yong’s practice into dialogue with three contemporary Australian artists. Equal Area opens with a special performance of Snail’s Gallop, one of his most critically lauded works which he is staging in Australia for the first time. This is followed by a series of performances and live interventions by Australian artists, taking place in dialogue with the residue of Lee’s performances, that build on this examination of the repeated gesture and elucidate Lee’s influence on global contemporary performative practice.

A silver-haired man with a splint bandaged along his torso and up his right arm leans over a table trying to grab some small biscuits laid out.
A man in a denim shirt with glasses looks upwards as he points upwards with his right arm, which wrapped in bandages and aligned straight with a splint. Behind him are black and white printed photos of a man crouching in front of a crowd.
A white gallery space, with three white canvases hanging on the left wall, a black canvas hanging on the back wall, and a black landing on the floor with a long strip of white paper rolled out on top
An East Asian male-presenting figure in glasses and a blue shirt paints blue circles on a white canvas. A crowd sitting and standing against a white wall look at him and take photos
A male-presenting figure with silver hair, a blue striped shirt and white paints squats barefoot on a long scroll of white paper, drawing with a stick of charcoal
Lee Kun-Yong, an East Asian male-presenting figure in a striped blue shirt and white pants squats on a long scroll of white paper, scribbling horizontally with a stick of charcoal. On either side of him is a crowd of onlookers, some of whom are holding up phone cameras.
A silver-haired figure in a blue striped shirt and white paints stands with bent knees in front of a white wall while scribbling curved lines with a stick of charcoal in each hand
Three canvases painted with three different pastel colours, cut in circles and peeled back, hung on a white gallery wall
A white gallery space with a long strip of white paper covered in charcoal marks, large canvases that have been cut or scribbled over, and curved black lines on the wall
Blue and cream-coloured dripping lines painted on a white canvas, with light beams curving around one corner of a white gallery space. On the floor is a black landing with a strip of white paper covered in charcoal lines
Blue and grey paint on a white gallery wall drips downwards into a mass of grey paint strokes at the bottom of the wall
A white gallery space with a banner structure folded over three wooden poles. On the walls are black and white prints of an artist drawing on the ground with charcoal and scribbling on a wall in white
Emily, a femme-presenting figure with short cropped hair and glasses sets fire to a wooden pole. Behind her are black and white prints of a man drawing a circle on the ground and scribbling on a wall.
A femme-presenting figure in a striped shirt and khaki green pants stands under a banner structure from which purple coloured smoke emanates
Bright sparks explode in a dim room between four lines of burning rope, over a long scroll of white paper. Seated visitors look on from each side of the scroll
  

Top image: Lee Kun-Yong, Snail’s Gallop (performance view), first performed in 1979, (re-performed in 2018) paper, charcoal, dimensions variable; and Logic of Place (performance view), first performed in 1975, (re-performed in 2018) charcoal, dimensions variable; photo: Document Photography, Equal Area, 4A Centre for Contemporary Asian Art, Sydney, 2018, courtesy the artist and Gallery Hyundai, Seoul, South Korea.