Mariam Arcilla reads her Letter from the Editor to introduce 4A Papers: Issue 10. Featuring contributions from Matt Chun, Green Papaya Art Projects, Leora Joy Jones, Annette An-Jen Liu, and Hugh Hudson / Taipei National University of the Arts 國立台北藝術大學. Access Issue 10 here,

Kien Situ in conversation with John Choi

Panel discussion with Jin Hien Lau, Meg O’Shea and W. Chew Chan, moderated by Con Gerakaris. Held as part of Acute Actions: Responses to I Am Not A Virus, Part 2.

Panel discussion at Firstdraft with Andrea Srisurapon, Jayanto Tan, and curator Reina Takeuchi, followed by a performance by Amy Zhang X MaggZ. Held as part of Acute Actions: Responses to I Am Not a Virus, Part 1.

Sophia Cai in conversation with Mariam Arcilla. Held as part of Acute Actions: Responses to I Am Not a Virus, Part 1.

James Jirat Patradoon in conversation with Con Gerakaris

Sofiyah Ruqayah in conversation with Reina Takeuchi

Mel Stringer in conversation with Reina Takeuchi

Shireen Taweel in conversation with Reina Takeuchi

Crossing Threads® in conversation with Con Gerakaris

Artist Paula Schaafhausen, Guardian Australia Pacific Editor Kate Lyons and Professor John Church, pre-eminent expert in sea level rise, speak to this issue in this major Sydney Festival panel event moderated by Wesley Enoch. This talk was hosted as part of Wansolwara: One Salt Water.

As part of exhibition John Vea: If I pick your fruit, will you put mine back? speakers discuss the realities and unrepresented stories in contemporary globalised era migrant labour, which emerged as a key indicator of regional socio-economic relationships between Australia, New Zealand and many Pacific nations.

Framed by Vea’s 2015 text The Emic Avenue; art through Talanoa and the concept of talanoa (a process of inclusive, participatory and transparent dialogue) as research method, speakers Christine Afoa, Malaemie Fruean, Leo Tanoi and John Vea, with moderator Micheal Do, will discuss the stories, experiences and representations of Pacific migrant workers and the role art and storytelling can play in reframing and challenging the ideas of equality and validity of a global workforce.

As part of exhibition Nusra Latif Qureshi: Strategies of Intent, speakers discuss the mobility of meaning and challenges presented by historical objects and imagery in a post-Orientalist world. Taking the work of artist Nusra Latif Qureshi and the text Networked Objects (2013) by Mary Roberts as a starting point, this discussion will ask whether colonial objects still hold potency today in institutions and artistic practice; and investigate how artists and curators can work to challenge and engage with constructed histories of objects in shifting contexts.

Responding to The Invisible Hand, an exhibition that considers how digital platform technologies are exploiting technological convenience to co-opt personal data in an uncertain zero-sum game, this edition of Please Explain was moderated by Ariel Bogle, Technology Reporter for The ABC, and included panelists David Vaile, stream leader for the Allens Hub for Technology, Law & Innovation at the University of New South Wales (UNSW) Faculty of Law, and Prof. Bronwen Morgan, Professor, School of Law, University of New South Wales (UNSW), alongside The Invisible Hand exhibiting artists Sunwoo Hoon and Mijoon Pak (Korea).