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4A Papers

Issue 7

Letter from the Editor
Pedro de Almeida

Knowing Modern and Contemporary Asian Art
John Clark

Running round history: Yu Araki’s difference
Micheal Do

Cyber ciphers: Pixels, people, participation and politics in the art of Sunwoo Hoon
Soo-Min Shim

사이버 암호들: 선우 훈의 예술에 있어서 픽셀, 사람들, 참여와 정치 심 수민
심 수민

Listening for change: Baaraan Ijlal’s practice of collecting stories
Anushka Rajendran

‘A diaspora problem?’ Christopher Kulendran Thomas and Annika Kuhlmann’s Ground Zero and New Eelam
Sumugan Sivanesan

Published November 2019

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4A Centre for Contemporary Asian Art acknowledges the Gadigal people, the traditional custodians of the land on which we live, work and create. We recognise the enduring connections between First Nations people and the land, waters, culture and communities that have existed for over 60,000 years. We pay our respects to Elders past and present. Always was, always will be, Aboriginal land.

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4A Centre for Contemporary Asian Art is an initiative of the Asian Australian Artists' Association Inc. We are grateful for the assistance of the Commonwealth Government through the Visual Arts and Craft Strategy and Creative Australia, the NSW Government through Create NSW, and the City of Sydney through their Accommodation Grants Program.

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