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A muscular figure in a black floor-length halter dress sitting in an ornate armchair with their hands over their face and their head taped in a beige fabric. They are facing a floor-length mirror, with the words "Chapitre 5: Saison d'incendie" projected in blue behind them.

4A Papers

Issue 4

Letter from the Editor
Pedro de Almeida

Witnessing from afar: making sense of the Karachi Biennale
Aziz Sohail

Wait man kam (White man is coming)
Eric Bridgeman

Special beings: Yasumasa Morimura and Dumb Type in Metz
Judy Annear

O ai a’u? (Who am I?): love and art at Manamea Art Studio
Mitiana Arbon

One step after another: a conversation with Lee Kun-Yong
Con Gerakaris

Narratives thwarted: Tokyo and New York take on art from Southeast Asia
Mikala Tai

Published May 2018

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4A Centre for Contemporary Asian Art acknowledges the Gadigal people, the traditional custodians of the land on which we live, work and create. We recognise the enduring connections between First Nations people and the land, waters, culture and communities that have existed for over 60,000 years. We pay our respects to Elders past and present. Always was, always will be, Aboriginal land.

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4A Centre for Contemporary Asian Art is an initiative of the Asian Australian Artists' Association Inc. We are grateful for the assistance of the Commonwealth Government through the Visual Arts and Craft Strategy and Creative Australia, the NSW Government through Create NSW, and the City of Sydney through their Accommodation Grants Program.

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