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A male-presenting figure with long curly hair touches a wall painting which is comprised of textured brown brushstrokes.

4A Papers

Issue 5

Letter from the Editor
Pedro de Almeida

The vulnerable, dangerous and radical act of wearing their heart on their sleeve: a snapshot of Hong Kong independent art spaces
Bridie Moran

The hills have ideologies: the fûkeiron tradition in Japanese landscape cinema
Conor Bateman

Honouring cultural continuum with Dale Harding
Tess Maunder

A view from Chittagong
Alam Khorshed

Curating as resilience: in praise of opacity and incoherence
Meera Menezes

This is how we do it: museums and galleries in Asia
Nur Shkembi

An unopened packet of biscuits: a studio visit with Kishio Suga
Micheal Do

Published November 2018

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4A Centre for Contemporary Asian Art acknowledges the Gadigal people, the traditional custodians of the land on which we live, work and create. We recognise the enduring connections between First Nations people and the land, waters, culture and communities that have existed for over 60,000 years. We pay our respects to Elders past and present. Always was, always will be, Aboriginal land.

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4A Centre for Contemporary Asian Art is an initiative of the Asian Australian Artists' Association Inc. We are grateful for the assistance of the Commonwealth Government through the Visual Arts and Craft Strategy and Creative Australia, the NSW Government through Create NSW, and the City of Sydney through their Accommodation Grants Program.

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