Exhibition

Monyet Gila: Episode One

<p><span data-sheets-root="1" data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Monyet Gila: Episode One&quot;}" data-sheets-userformat="{&quot;2&quot;:9025,&quot;3&quot;:{&quot;1&quot;:0},&quot;9&quot;:1,&quot;11&quot;:4,&quot;12&quot;:0,&quot;16&quot;:12}">Monyet Gila: Episode One</span></p>

When

11 March 2016 -
23 April 2016

Location

4A Centre for Contemporary Asian Art

181-187 Hay St, Haymarket

Exhibition opening:

Thursday 10 March 2016

68pm

4A Centre for Contemporary Asian Art presents the first iteration of an ongoing exhibition project by Adri Valery Wens and Shaun Gladwell, curated by Natalie King and Mikala Tai.

Monyet Gila: Episode One – The Episode with the Crazy Monkey investigates the role that narrative plays in contemporary culture. The artists consider their projects as separate works, installed in parallel to allow for moments of intersection as each excavates and reappraises epic narratives.

Indonesian, Sydney-based artist, Adri Valery Wens focuses on cultural stories of Hindu-Javanese origin, specifically the Wayang Orang (Human Puppet) performance based on two foundation epics – the Mahabharata (the story of the great Bharata Dynasty) and the Ramayana (the story of Rama’s Journey).

Wens delves into the complexity and tensions of his cultural background through a series of photographic depictions of himself ‘performing’ characters within these epic narratives. Staged in Jakarta, dressed in elaborate costumes and theatrical makeup, the images translate the philosophical, political, poetic, performance and re-performance content of the epic stories through the genre of self-portraiture.

Australian-born, London-based artist Shaun Gladwell’s video artwork explores the popular Japanese television drama Monkey, based on the Chinese novel Journey to the West by Wu Cheng’en. Considered a cult classic, the program incorporated Taoist and Buddhist Philosophy, which had a great influence on Gladwell. The artist’s work looks to re-cast the role of Tripitaka – a young Buddhist Monk. The actress who originally played the monk, Masako Natsume, died in 1985 and Gladwell’s project acts as homage to Natsume’s portrayal of the character.

The collaboration of Gladwell and Wens illustrates how traditional epics and long loved narratives remain a determining factor in the creation of the contemporary self.

Access the Media Release here.

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Left Wall: Adri Valery Wens, The Wanara (Subali/Hanoman/Sugriwa) (2016), pigment on silver rag paper triptych, installation view, 4A Centre for Contemporary Art. Courtesy the artist.  Centre: Shaun Gladwell, Monkey Magic Manifestations (2016), mixed medium (wood, canvas, acrylic), installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Centre: Adri Valery Wens and Shaun Gladwell, Drawing and Balancing (2016), HD single-channel video, installation view, 4A Centre for Contemporary Art. Courtesy the artists.  Centre Wall: Adri Valery Wens, The Alengkas 4 (2016), pigment on silver rag paper, installation view, 4A Centre for Contemporary Art. Courtesy the artist.  Left: Shaun Gladwell, Monkey Magic Manifestations (2016), mixed medium (wood, canvas, acrylic), installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Centre Wall: Adri Valery Wens, The Wanara (Subali/Hanoman/Sugriwa) (2016), pigment on silver rag paper triptych, installation view, 4A Centre for Contemporary Art. Courtesy the artist  Left and right: Shaun Gladwell, Monkey Magic Manifestations (2016), mixed medium (wood, canvas, acrylic), installation view, 4A Centre for Contemporary Art. Courtesy the artist
Shaun Gladwell, Summon a Cloud (2016), single channel video, installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Left to right: Adri Valery Wens, Hanoman di Jalan Kalilio No.15 – Senen (2016), Rahwana di Jalan Kalilio No.15 – Senen (2016), pigment on silver rag paper, installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography
Adri Valery Wens, Sruti/Smriti (Argasoka) (2016) and Sruti/Smriti (Bharatayuda) (2016), mixed medium (wool, wood, ink, leather), installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Left to right: Adri Valery Wens, Hanoman on heels 1 (2016), Hanoman/TheGamelan/The Bacardi (2016), Hanoman di atas loteng (2016), Hanoman gelantungan (2016), pigment on silver rag paper, installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography
Monyet Gila: Episode One (2016), first floor exhibition view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography
Adri Valery Wens, Subali / Gareng / Sueriwa (2016), HD three-channel video, installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Left: Shaun Gladwell, Tripitaka (2015-16), single-channel video, installation view, 4A Centre for Contemporary Art. Courtesy the artist.  Right: Shaun Gladwell, In a station of the metro (2006), two channel video on ipad minis, installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Shaun Gladwell, In a station of the metro (2006), two channel video on ipad minis installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography
Monyet Gila: Episode One (2016), ground floor exhibition view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography