Exhibition

Future Archeology

<p><span data-sheets-root="1" data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Future Archeology&quot;}" data-sheets-userformat="{&quot;2&quot;:9025,&quot;3&quot;:{&quot;1&quot;:0},&quot;9&quot;:1,&quot;11&quot;:4,&quot;12&quot;:0,&quot;16&quot;:12}">Future Archeology</span></p>

When

30 October 2015 -
17 December 2015

Location

4A Centre for Contemporary Asian Art

181-187 Hay St, Haymarket

Nexus Arts Adelaide

Lion Arts Centre; Corner North Terrace & Morphett St, Adelaide 5000

19 May – 22 July 2016

Future Archaeology presents work by a group of artists currently based in Australia who conceptually engage with notions of tradition through contemporary cultural artefacts. Through an appropriation of the discipline of archaeology, the exhibition presents artworks that excavate cultural artefacts as sites for the interrogation and unpacking of the social and political forces within Asia-Pacific that have led to mass migration, cultural displacement and environmental destruction. The exhibition also draws on a leading theme of multiplicity – of numerous geo-historical trajectories borne of moments of disruption, rather than continuity – as a means to consider both historical moments and contemporary developments that have shaped the cultural landscape.

Download the Room Sheet here.

Claudia Nicholson, On Our Terms (2015), sawdust, dye, glitter; installation view, 4A Centre for Contemporary Art. Courtesy the artist. Image: Document Photography.
Wall: Abdullah M.I. Syed, Brut for Men series (2013), hand-beaten metal medallion and chamak patti (hand-made sticker ornamentation), wood, stainless steel; installation view, 4A Centre for Contemporary Asian Art.  Centre: Abdullah M.I. Syed, The Fragrance of the Moon (2013), Brut for Men bottle, Perspex and transparency projector, installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Abdullah M.I. Syed, The Fragrance of the Moon (2013), Brut for Men bottle, Perspex and transparency projector; detail, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Léuli Eshraghi, Place de la Libération, ode aux celles à venir / Freedom Square, ode to those to come (2014), acrylic on Fabriano paper, 100 x 71cm each; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Abdullah M.I. Syed, Brut for Men series (2013), hand-beaten metal medallion and chamak patti (hand-made sticker ornamentation), wood, stainless steel; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Abdullah M.I. Syed, Brut for Men series (2013), hand-beaten metal medallion and chamak patti (hand-made sticker ornamentation), wood, stainless steel; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Left: Nathan Beard, Hiraeth (2015), single-channel HD video; installation view, 4A Centre for Contemporary Asian Art.  Right: Andy Mullens, Still (2015), silk, fluorescent lights, metallic thread; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artists. Image: Document Photography.
Deanna Hitti, Assimilation Museum (2015), screen prints on BFK Rives 210gsm, NiJin gold paper, hardcover book; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Deanna Hitti, Assimilation Museum (2015), screen prints on BFK Rives 210gsm, NiJin gold paper, hardcover book; installation view, 4A Centre for Contemporary Asian Art. Courtesy the artist. Image: Document Photography.
Future Archaeology (2015), first floor exhibition view, 4A Centre for Contemporary Asian Art. Courtesy the artists. Image: Document Photography.