Uji Handoko Eko Saputro aka Hahan (b. 1983 Kebumen, Indonesia) creates works characterised by an ongoing tussle between ‘high art’ and ‘low art’, blurring realism with decoration. His works illustrates a point of contact that exists between urbanization and agrarianism, the East and the West or between the local and the global. Hahan incorporates film, music and street culture into a distinct visual language, creating a sense of movement and spontaneity in what can be described as a topsy-turvy reality steeped in satirical humor. Since 2003, he has participated in numerous group exhibitions in Indonesia and abroad. His works have been collected by several art museum including Queensland Art Gallery of Modern Art (QAGOMA) Brisbane, Australia and National Gallery of Victoria (NGV) Melbourne, Australia. He also one of the founders of Ace House Collective, a young artists’ collective and initiative space based in Yogyakarta which trying to capture the culture of Indonesian contemporary society through multidiscipline work process, collaboration, and research.  In recent years, he attempts to display an art with the concept that emphasizes on the interaction with the visitors and relate it with the development of art in global as well as its society. By showing metaphorical atmosphere yet full of satirical humor. The mapping of production/consumption matter of cutting-edge art market and its gleaming, and also the ironies which are then packed with alluring spirit of artistic exploration.