Previously having performed as a lead guitarist in über-hip rock bands as well as practicing as a visual artist, Masato Takasaka thinks about his studio practice in musical terms, describing his aesthetic as an iPod Shuffle on endless repeat: playing the greatest hits of 20th century avant-garde art, with references to constructivism, dada,pop and minimalism alongside the back catalogue of his own greatest hits.

Recent exhibitions include TarraWarra Biennial 2016: Endless Circulation, TarraWarra Museum of Art, Healesville (2016); Rose Coloured Glass, The Honeymoon Suite, Brunswick (2016); Garage Days Revisited, Sutton Gallery, Melbourne (2016); Channel G as part of Transmission: Legacies of the Television Age, National Gallery of Victoria, Melbourne (2015); 3-Ply Remote Residency, The Stool, Good Press Gallery, Glasgow (2014).

(Biography: LinkedIn.)