Nunga (Kaurna) and Maori (Te Arawa). b. 1986 Mildura, Australia lives and works in Adelaide, Australia

James Tylor examines cultural identity in Australian contemporary culture. Using the lens of his multi-cultural heritage, which comprises Nunga (Kaurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch, Iberian and Norwegian) Australian ancestry, he experiments with range of historical and experimental photographic processes, to examine 19th century Australian history and its legacy on identity in Australia. His recent exhibitions include: Resolution: New Indigenous Photomedia, Shepparton Art Museum, Shepparton, Australia (2017); The witching hour, Centre for Contemporary Photography, Melbourne, Australia (2017); Ramsay Art Prize Art Gallery of South Australia, Adelaide, Australia (2017, finalist); New Matter: Recent forms of Photographs, Art Gallery of New South Wales, Sydney, Australia (2016); Endless Circulation: TarraWarra Biennial, TarraWarra Museum of Art, Healesville, Australia (2016) and Territorial Encounters, Contemporary Art Centre of South Australia, Adelaide, Australia (2016). Tylor’s works are held in the collections of Art Gallery of New South Wales, Sydney, Australia; Art Gallery of Western Australia, Perth, Australia; National Gallery of Australia, Canberra, Australia and National Gallery of Victoria, Melbourne, Australia.