Bishal Yonjan is a visual artist/curator based out of Kathmandu. He is a part of Kalā Kulo, an arts initiative, where he works on a series of archives contextualizing the contributions of artists who have been central to introducing novel artistic vocabularies to Nepal in the 20th century. Professionally, he has been involved in exhibition design, installation, and programming, including for Kathmandu Triennale 2077, the retrospective of Ragini Upadhaya and block prints, dot screens, and technicolor worlds of Tek Bir Mukhiya. His current interest includes exploring the regional histories of printed matter and book design in South Asia. He is also a member of Aṅkūra Atelier, a creative collective.