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Through photographs and digital archives, machines capture, classify and organise traces of the world in ways that differ from our experience. Yet memory is not a fixed record, but something repeatedly reconstructed through fragments and changing perspectives. As we increasingly rely on technology to perceive and remember on our behalf, the exhibition asks how these systems interpret what is preserved and how this shapes the ways we construct our memory of the past.</p>\n<p dir=\"ltr\"><strong><em>FITM: Faith in the Machine</em></strong> was developed with the support and collaboration of SensiLab.</p>\n<p dir=\"ltr\">The 4A LAB Emerging Digital Artist Program honours the memory of the late Australian artist Laurens Tan (1950–2025). 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